A slaughterhouse in Budapest is the setting of a strangely beautiful love story. No sooner does Mária start work as the new quality controller than the whispers begin. At lunch the young woman always chooses a table on her own in the sterile canteen where she sits in silence. She takes her job seriously and adheres strictly to the rules, deducting penalty points for every excessive ounce of fat. Hers is a world that consists of figures and data that have imprinted themselves on her memory since early childhood. Her slightly older boss Endre is also the quiet type. Tentatively, they begin to get to know each other. Recognising their spiritual kinship, they are amazed to discover that they even have the same dreams at night. Carefully, they attempt to make them come true. This story of two people discovering the realm of emotions and physical desire, at first individually and then together, is tenderly told by director Ildikó Enyedi, but in a way that also exudes subtle humour. A film about the fears and inhibitions associated with opening up to others, and about how exhilarating it can be when you finally do.
„I think there are so many signs that we have to reinvent our lives on both a small and a large scale. Private lives are so much about how society is constructed, like they’re interdependent. So if we think about private lives, we have to think about how society is organised. So if you live in conditions that are against living a full life, then you get sick in a way. Society sees to that. And maybe you go to a therapist, or you start drinking, or you beat your family, or whatever. These are the signs that not everything is OK! So, my two heroes don’t feel right in their skin, and they close themselves off.“
Ildikó Enyedi for TheUpComing.co.uk
